The Vanishing Box

  Contents

  * * *

  Title Page

  Contents

  Copyright

  Dedication

  One

  Two

  Three

  Four

  Five

  Six

  Seven

  Eight

  Nine

  Ten

  Eleven

  Twelve

  Thirteen

  Fourteen

  Fifteen

  Sixteen

  Seventeen

  Eighteen

  Nineteen

  Twenty

  Twenty-One

  Twenty-Two

  Twenty-Three

  Twenty-Four

  Twenty-Five

  Twenty-Six

  Author’s Note

  Acknowledgements

  Read More from Elly Griffiths

  About the Author

  Connect with HMH

  First U.S. edition

  Copyright © 2017 by Elly Griffiths

  All rights reserved

  For information about permission to reproduce selections from this book, write to trade.permissions@hmhco.com or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.

  hmhco.com

  First published in Great Britain in 2017 by Quercus

  Library of Congress Cataloging-in-Publication Data

  Names: Griffiths, Elly, author.

  Title: The vanishing box / Elly Griffiths.

  Description: First U.S. edition. | Boston : Houghton Mifflin Harcourt, 2018. | Series: Magic men mysteries ; 4

  Identifiers: LCCN 2018024864| ISBN 9780544750296 (hardcover) | ISBN 9780544750517 (ebook)

  Subjects: LCSH: Police—England-Fiction. | Magicians—Fiction. | Murder—Investigation—Fiction. | BISAC: FICTION / Mystery & Detective / Historical. | FICTION / Mystery & Detective / Police Procedural. | GSAFD: Mystery fiction.

  Classification: LCC PR6107.R534 V36 2018 | DDC 823/.92—dc23

  LC record available at https://lccn.loc.gov/2018024864

  Cover design and illustration © Paul Blow

  Author photograph © Sarah Reeve

  v2.0918

  For Veronique Walker and Julie Williams

  ONE

  14 December 1953

  Monday

  It was like being in a forest of frozen women. Max walked across the stage and the girls didn’t move, not even a twitch of a hand or an intake of breath. It was an odd feeling, walking fully dressed between naked women, none of whom paid him the slightest bit of attention. Their eyes were fixed on the back of the stalls, teeth bared in smiles, arms—variously—uplifted or on hips, feet poised in that curious position that is meant to be flattering to the leg, one toe forward, calf swivelled. There was a cold wind blowing from the wings but, apart from acres of gooseflesh, the only effect was to ruffle the feathers on the skimpy flesh-coloured pants that were the girls’ only clothing.

  ‘Didn’t I tell you?’ said Vic Cutler. ‘Didn’t I tell you that I had them well trained?’

  Max had once shared the bill with a lion tamer called Bill Tilsley who used to boast about his total control over the frankly sad and moth-eaten creature. Max had been quietly pleased when the animal had turned on Bill at the Embassy Theatre Skegness, almost ripping the trainer’s arm off. He supposed it probably too much to hope that one of the frozen girls would maul Vic Cutler.

  He looked back at the girls. They all kept their positions, staring straight ahead. This was not only good training; it was imperative under the law. The Lord Chamberlain allowed naked women on stage, as long as they didn’t move. The idea was that the performers created ‘tableaux vivants’, living re-creations of famous paintings or classical statuary. The reality was that it was a rather sleazy way to allow people to stare at half-naked women. If Max had known that the bill at the Brighton Hippodrome featured a tableaux act, he might not have accepted the gig, but his agent Joe Passolini had conveniently forgotten to mention this fact. And now Vic Cutler was actually suggesting that Max should use some of ‘his’ girls in his act.

  As Max was thinking of a way to word his refusal, he noticed a slight movement in the serried ranks. The girl on the far right of the front row lowered her false eyelashes in a wink. This was unnoticed by Vic who was still boasting about his troupe: ‘At the Windmill I had them all in togas with nothing underneath, tasteful, you know . . .’ Max smiled at the girl who smiled quickly back. She had one of the best figures—he couldn’t help noticing that—and was tall, with dark hair piled up on top of her head. She also had a proud way of standing that transcended her surroundings, the cold stage, the empty auditorium. You could almost believe that she was a classical statue come to life.

  ‘I’m sorry,’ said Max, ‘it wouldn’t work. The girls would distract from the trick.’

  ‘I thought you wanted distraction,’ said Vic, his little eyes shrewd. ‘Misdirection and all that.’

  ‘There’s such a thing as too much misdirection,’ said Max.

  ‘I heard you were doing the vanishing box,’ said Cutler. ‘You need a good girl for that. One of my girls could do it.’

  ‘I’m performing that trick with my daughter,’ said Max. ‘She’s a magician too, you know.’

  ‘The lovely Ruby,’ said Cutler. ‘I’ve heard that the two of you are going to have your own television show.’

  ‘That’s right,’ said Max, though his heart sank whenever he thought of Magician and Daughter. Joe kept telling him that the show would make Max a star, not seeming to realise that he had been a star now for more than two decades.

  ‘I’ll let you get on with your rehearsal,’ said Max, preparing to take his leave. He didn’t want to stand around watching the girls form silent tableaux of the vestal virgins or Cleopatra’s handmaidens.

  ‘Stay,’ said Vic Cutler expansively. ‘You’re welcome.’

  ‘No, I must be going. Good day, ladies.’ If he had been wearing his hat, he would have raised it. As he passed the girl in the front row she gave him a quick smile, but back in his dressing room, Max put his hand in his pocket and found a piece of paper. ‘Florence Jones’ it said, with a telephone number. Max was impressed. With sleight of hand like that, perhaps it was Florence who should be a magician. He smoothed out the paper and stayed looking at it for some time.

  Detective Inspector Edgar Stephens was looking at a dead body. He had seen death before, of course, in the war as well as in his police work but there was something about this corpse that made it especially disturbing. It wasn’t just the stench that sent his sergeant, Bob Willis, retching to the window. It wasn’t just that the deceased was young, blonde and—even in the late stages of rigor mortis—beautiful. It was the way the body had been found. Lily Burtenshaw was kneeling on a towel beside her bed, a strip from a white sheet tied around her eyes and one hand stretched out towards a box in front of her. In order to keep the body in this unnatural position, the stretching hand had been tied onto a towel rail and the body roped to the back of a chair. Lily’s blindfolded head dropped forward and her golden hair fell across one shoulder. She was wearing a white nightdress and her skin was also deadly white, except for the dark bruising around her neck.

  ‘Oh my God!’ cried a voice in the doorway, which Edgar identified as belonging to the landlady, Edna Wright.

  ‘Don’t come any closer,’ said Edgar. ‘Bob!’ Bob turned, his face almost as white as the corpse’s.

  ‘Have you got the camera?’ said Edgar. ‘Take some photos.’

  Taking pictures of a crime scene was a relatively new police practice. Edgar’s boss, Frank Hodges, deplored it. ‘All an officer needs are his own eyes and ears.’ But Edgar knew
that sight and memory could be tricky things. He remembered a Corporal Evans who swore that he’d seen a ten-foot angel beckoning to him over a frozen lake in Norway. Evans had tried to follow the apparition and had to be wrestled to the ground by his fellow soldiers. The point was that, even after he had been transferred to a field hospital on the grounds of complete mental collapse, Evans was still sure that he’d seen the angel, ‘All in white with a flaming sword.’ ‘People see what they want to see,’ said his friend Max and he should know, given that, as a magician, illusion was his profession. Far better to have solid evidence in the form of a photograph which could be studied and analysed later.

  ‘I notice Superintendent Hodges assumes that the investigating officer is male,’ said Edgar’s other sergeant, Emma Holmes.

  Bob took out the box brownie and started snapping away, as instructed by Edgar. Edna, supported by her husband Norris, stayed sobbing in the doorway.

  ‘Why don’t you go downstairs?’ said Edgar. ‘We’ll meet you there in a few minutes. You’ve had a terrible shock.’

  ‘Come on, Edna,’ said Norris. ‘I’ll make you a nice hot cup of tea.’

  Edgar heard their footsteps descending the stairs and hoped that Norris would make a pot that stretched to all four of them. The room was freezing with an icy wind coming in through the half-open sash window.

  ‘Did you open the window?’ he asked Bob.

  ‘No, it was already open.’

  That possibly explained why the body wasn’t more decayed. Where was the police surgeon? He was usually almost unnaturally eager to reach the scene of death. But, even as he thought this, Edgar heard the sound of a throaty sports car pulling up outside. There were voices on the stairs and then Solomon Carter burst into the room.

  ‘What have we here? Ooh, a nice one.’

  Now Edgar did feel like being sick.

  Edna and Norris were sitting in a little room next to the kitchen. ‘The lodgers don’t come in the snug,’ explained Norris, ‘so we won’t be disturbed.’ The house, off Western Road in Hove, accommodated six lodgers over four floors. Lily Burtenshaw had been in residence for almost a year. She worked in a florist’s near the station.

  ‘Such a nice quiet girl,’ said Edna. ‘Paid her rent on Saturdays regular as clockwork.’

  ‘Did she pay this Saturday?’ asked Edgar.

  ‘Yes,’ said Edna. ‘Left the envelope on the table in the hall as usual.’

  Edgar thought. It was now Monday and he believed that Lily had been in the room for at least two days. The cold had prevented too much deterioration but the body had started to decay and it was the smell that had led Norris to use his master key to open the locked door. One look at what was inside had been enough to send Norris running to the downstairs telephone to call the police. Edgar and Bob had driven round immediately. Edgar wondered why he hadn’t taken Emma, who had also been on duty. He thought it was because he had wanted to spare her the sight which he suspected would await them. He hoped Emma never found this out.

  But, if Lily had been killed before Saturday, there was the chance that someone had paid her rent to make it look as if she were still alive. He asked if Edna had kept the envelope.

  ‘No,’ she said. ‘I put the money in my strong box and just threw the envelope away.’

  ‘Did it look like Lily’s handwriting on the envelope?’

  ‘I couldn’t say, I’m sure.’

  ‘When did you see her last?’

  ‘I think it was Friday afternoon. We exchanged a few words in the hall. Lodgers cater for themselves, you see. There are gas rings in all of the rooms. People come and go as they please.’

  ‘And did you see or hear anyone going into Lily’s room on the Friday or the Saturday night?’

  ‘No.’ Edna looked outraged. ‘This is a respectable house. We don’t have strangers letting themselves into rooms.’

  Except someone did let themselves into Lily’s room, thought Edgar. What’s more, they had locked the door after them. But Edna was looking tearful again and he thought that he should back-pedal a bit. The landlady had seemed to be recovering her equilibrium, helped no doubt by the tea (Norris had thoughtfully made enough for four) and by the fact that she was three storeys away from the ghastly scene in the top bedroom. The last thing Edgar wanted was to have her in hysterics.

  ‘Tell me more about Lily,’ he said. ‘Do you know anything about her background? Did she have any family? We’ll have to inform her next-of-kin.’

  ‘There’s her mother, Cecily. She lives in London. I’ve got an address somewhere. Oh, poor lady. What will she think when she hears?’ Edna’s face crumpled and she held her handkerchief to her eyes.

  ‘Was Lily friendly with any of the other lodgers?’ asked Edgar, after a respectful pause.

  ‘There were a few of them that used to go out together sometimes. Lily and Brenda and Peggy. Brenda and Peggy work in a bank by the Clock Tower. Then there were the two new girls.’

  ‘The new girls?’

  ‘Betty and Janette. They’re in the show at the Hippodrome this week. It’s hardly decent, to my mind. But they seem nice enough girls. They’re only here for a fortnight.’

  ‘But Lily was friendly with them?’

  ‘I heard them talking and laughing a few times. Betty and Janette share a room on the second floor. I had to ask them to be quiet once because they were playing their wireless so loudly. Old Mr Entwhistle has the room below them and he’s a light sleeper.’

  Edgar was glad to see Bob writing down these names and sketching a rough floor plan. They’d have to interview all the residents as quickly as possible.

  ‘Did Lily have any . . .’ He tried to think of the best word. ‘Any gentlemen callers?’ He supposed that he was a gentleman caller at Ruby’s lodging house but no one there ever paid him any attention. He suspected that Edna would be a beadier presence.

  Sure enough, Edna looked outraged. ‘I never allow anything like that here. Like I said, this is a respectable house. Peggy’s got a fiancé but he’s never been further than the front parlour.’

  ‘But do you know if Lily was seeing anyone?’

  ‘No. Like I say, she was a nice girl.’

  There didn’t seem to be much more to say. Edgar needed to contact the mother of this nice, quiet girl and tell her that her daughter had been brutally murdered. He saw Solomon Carter hovering in the hall and took that as his cue to leave. On the way out, though, he was surprised to see a flyer for the Hippodrome on the hall table together with a couple of tickets.

  ‘Are you going to the show then?’ he asked.

  Edna looked embarrassed. ‘I got free tickets because two of the girls are staying here. I don’t suppose I’ll go, what with everything that’s happened.’

  Edgar sympathised but wondered whether Edna would go all the same. He too had complimentary tickets for tonight’s show but doubted that he’d get to the theatre. He hoped Ruby would understand.

  TWO

  Max was still looking at the piece of paper when, after a peremptory knock, the dressing room door opened and his daughter Ruby came in. She was wearing green slacks and a white shirt knotted at the waist. Max still couldn’t get used to her wearing trousers but knew better than to say anything. He wondered what Edgar, her fiancé, thought. Probably didn’t give it a thought. Edgar was only ten years younger than Max but sometimes it seemed like a different generation.

  ‘I thought we were rehearsing at eleven,’ said Ruby, sitting on his dressing table.

  ‘The girls are still on stage.’

  ‘Honestly,’ said Ruby, ‘I don’t know why they need to rehearse at all. How hard can it be to stand still?’

  You find it pretty difficult, thought Max. Ruby was moodily swinging her legs to and fro whilst fiddling with his tubes of greasepaint. He wanted to tell her to stop but as he hadn’t been a father for very long, he was not used to saying this kind of thing. Ruby was the child of Emerald, an ex-snake charmer turned respectable Hove citizen, with w
hom Max had once had an affair. Max had only found out about Ruby’s existence three years ago, and in that time, Ruby had been his assistant, his daughter and now his co-star. It all took a bit of getting used to.

  ‘We need to get the vanishing box right,’ said Ruby. ‘I thought it was a bit sticky last time.’

  Max bit back his irritation. He had been performing the vanishing box for years. It had been a regular in his act when he had Ethel, his best ever assistant. But, though Ethel had twirled like a good ’un to mask Max getting the cabinet in place, when it came to the trick itself she disappeared through the doors like a ghost. Ruby insisted on bantering with him, ad-libbing and twinkling up at the boxes, which put his timing out. The trouble was that Magician and Daughter was meant to be a double act but Max was best working on his own.

  ‘Maybe if you don’t talk when the cabinet door is open,’ he said. ‘Then the audience won’t get a chance to see the false back.’

  Ruby pouted. ‘Joe says I should talk more. He says audiences like the interaction between the two of us.’

  Max sighed. Joe Passolini was his agent as well as Ruby’s and there was no doubt that Max owed his new television career entirely to Joe. On the other hand, he wished Ruby wouldn’t quote Joe as if he was an expert on variety. Joe was in his twenties, he hadn’t been born in the golden age of music hall, when Max Miller and Vesta Tilley were household names and when Jasper Maskelyne performed magic so incredible that it seemed almost satanic. Joe knew about television and about getting fat fees for his artistes (Max had to admit that he was a lot richer since he had met Joe) but he knew nothing about the stage, about the thrill of persuading some two thousand people in an auditorium that you were actually making a girl vanish in front of their eyes.

  ‘Well, just don’t talk when you’re getting into the cabinet,’ said Max. ‘We can interact all you like the rest of the time.’

  ‘Can we go through my trick again?’ said Ruby. ‘The bit where I make your hat disappear. I keep getting it wrong.’